News Update
25. April 2011 - 14. August 2011
Galerie Rudolfinum
Undeniably Me
group show
In cooperation with Kunstmuseum Wolfsburg, this exhibition is exploring themes of human identity - the topic of "self" in the most varied of situations and visual expressions. This international project brings together works from Christian Boltanski, Gottfried Helnwein, Gerhard Richter, Cindy Sherman, Marlene Dumas, Bruce Nauman and others.
Installation "48 Portraits" by Gottfried Helnwein and "48 Portraits" by Gerhard Richter
Gerhard Richter schuf in den Jahren 1971/72 In fotorealistischer Manier eine Serie von 48 Porträtbildern von Persönlichkeiten, die die Moderne beeinflussten. Auf einen imaginären Betrachter in zentraler Position ausgerichtet, geben sie den Eindruck eines modernen Heldenfrieses. Genau zwanzig Jahre nach Entstehung dieser Arbeit, die ausschliesslich Männer darstellt, antwortete der österreichische Künstler Gottfried Helnwein 1991/92 mit einem Zyklus von 48 Porträtbildern ausschliesslich weiblicher Persönlichkeiten. Als Gegenpol zum kühlen Grau der Serie Richters bediente Helnwein sich warmer Rottöne. 1994 erwarben die Sammler Peter und Irene Ludwig die Werkgruppe, die seitdem, wie auch Richters Arbeit, Teil der Sammlung des Museum Ludwig ist. Die Galerie Rudolfinum in Prag hat nun im Zentrum ihrer Ausstellung Undeniable Me beide Werkgruppen zum ersten Mal einander gegenübergestellt.
Undeniably me
26. 5. 2011 – 14. 8. 2011
Grosse Halle
Die Ausstellung wurde vom Kunstmuseum Wolfsburg und der Galerie Rudolfinum organisiert.
Julia Wallner, Holger Broeker - Kunstmuseum Wolfsburg,
Petr Nedoma - Galerie Rudolfinum
Ausgestellte Künstler:
Richard Billingham
Christian Boltanski
Jiří David
Rineke Dijkstra
Marlene Dumas
Isa Genzken
Andreas Gursky
Gottfried Helnwein
Gary Hill
Robert Longo
Bruce Nauman
Elizabeth Peyton
Viktor Pivovarov
Gerhard Richter
Thomas Ruff
Cindy Sherman
Adriena Šimotová
Fiona Tan
Luc Tuymans
Identity is certainly one of the most complex concepts affecting, without exception, every human being. Then depicting of human figures, especially faces, closely relates to the need to express oneself and take up a position in relation to “me” and to the surrounding world, itself implies to fully set foot into the field of identity. The exhibition focuses on the reflection and changes in the perception and identity in contemporary art. Its open concept creates a network of relations that bring the possibility of new reading and interpretation of both the works themselves, and the given theme. The statement “Undeniably Me”, which was chosen as the name of the entire exhibition, explicitly leads to the entire problem, which is very contemporary in the broader context of current events where shifts in self-reflection in relation to the outside world are quite clearly visible and widely discussed. The core of the exhibition is the concept of curators of Kunstmuseum Wolfsburg Julie Wallner and Holger Broeker, created mainly on the basis of the Museum’s collections. Thanks to the excellent relationships between the two organizing institutions, it was possible to create a new Prague version of the exhibition – compared to the original, the exhibition has been principally extended by a number of substantial works on the subject from both public and private collections throughout Europe.
The theme of “Me” is on various levels and locations spread-out from the now iconic installation “Menschlich” from Christian Boltansky – the covering of the walls of the room with hundreds of black and white photographs of people who disappeared long ago, to the “Memory Lapse” a video from Dutch artist Fiona Tan, which captures, using a very impressive, almost a film method the problem of the loss of one’s own self and forgetting oneself as a result of Alzheimer’s disease. In the space between these two fields of human existence, the selected artists explore in various positions the theme of Me, from self-projection in film roles in the world-famous images of American photographer Cindy Sherman, through ironic commentary on racial issues in the videos of Bruce Nauman, Rineke Dijkstra’s extremely sensitive portraits of ordinary people perceiving the transformation of identity in adolescence, questions of identity determined by belonging to a particular social group from Richard Bellingham, Marlene Dumas’s vibrant paintings on the theme of sensitive questions related to gender issues, double portraits from the Hidden Image series by Jiří David, the question of the loss of identity in the Communist regime of North Korea, in addition referring to the dehumanization of work in a developed Western society in monumental photographs by Andreas Gursky, the fictitious portraits of Thomas Ruff,
to the completely unique work that forms the climax of the entire exhibition – an iconic set from German painter Gerhard Richter entitled “48 Portraits” depicting 48 men based on the black and white reproductions in encyclopaedias. On the opposite wall the counterpart, also called "48 Portraits" by Austrian painter Gottfried Helnwein, showing 48 women in monochromatic red.
The exhibitions also includes masterful drawings of faces referring to the still hidden identity of babies by American artist Robert Longo, a series of drawings entitled “Where am I?” by Russian conceptualists Viktor Pivovarov, a video by Garry Hill, as well as other works by Gerhard Richter entitled “Onkel Rudi”, whose importance in the context of Czech origin arises from the Lidice collection
By its broad range, the exhibition attempts to summarize and mutually connect a series of works, which themselves were created at different times and places, but now crucially pertain to the interpretation of the given theme through the complexity of their expressions.
Gottfried Helnwein, 48 Portraits
oil and acrylic on canvas, 1992

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